![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/1-Atelier-AM_Website-2.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/2-Atelier-AM_Website-5.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/3-Atelier-AM_Website-3.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/4-Atelier-AM_Website-1.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/_806xAUTO_crop_center-center/1-Atelier-AM_Website-2.jpg)
Everyday poetry
When environments are stripped of
superfluity, every remaining object and surface acquires a charge. Or rather, the charge that objects and surfaces inherently possess becomes a palpable quality when there is clarity in the spaces surrounding them. Something as simple as a kettle set on a hob becomes simultaneously a piece of art, poetry and domestic archaeology.
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/2-Atelier-AM_Website-5.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/3-Atelier-AM_Website-3.jpg)
![](https://www.johnpawson.com/assets/Journal/2022/09-September/Everyday-poetry/4-Atelier-AM_Website-1.jpg)
Photography
Harry Crowder